Canon Powershot S1 IS |
Version française |
Manufactured or assembled in from 2004 to (After) 2005.
Index of rarity in France: Infrequent (among non-specialized garage sales)
Inventory number: 7811
See the complete technical specifications
Chronology of cameras Canon
The Super Zoom S1 to SX 70 cameras are characterized by zooms with a very wide range of focal lengths. Fortunately. they are stabilized.
Years : | 98 | 99 | 00 | 01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 |
PowerShot A | ||||||||||||||||||||||
Digital Ixus | ||||||||||||||||||||||
PowerShot S | ||||||||||||||||||||||
PowerShot SX | ||||||||||||||||||||||
PowerShot G |
The evolution of this series was constant and regular. with many models every year. Some developments. such as the longest focal length. seem to be more of a marketing gimmick than a response to a need. IS means that the lens is stabilized. HS corresponds to a noise reduction system appearing with the DIGIC 5 processor. HS cameras are also stabilized.
Model | Year | Sensor | Zoom (eqaul. 35 mm) |
Processor | Screen | Memory card | |
---|---|---|---|---|---|---|---|
S1 IS | 2004 | 3.2 MP 2048 x 1536 1/2.7" CCD |
38-380 f/2.8-3.1 |
DIGIC | 1.5" 114 000 |
CF | |
S2 IS | 2005 | 5.0 MP 2592 x 1944 1/2.5" CCD |
36-432 f/2.7-3.5 |
DIGIC II | 1.8" 115 000 |
SD | |
S3 IS | 2006 | 6.0 MP 2816 x 2112 1/2.5" CCD |
2.0" 115 000 |
SD. MMC | |||
S5 IS | 2007 | 8.0 MP 3264 x 2448 1/2.5" CCD |
DIGIC III | 2.5" 207 000 |
|||
SX100 IS | 8.0 MP 1/2.5" CCD |
36-360 f/2.8-4.3 |
DIGIC III | 2.5" 172 000 |
|||
SX1 IS | 2008 | 10 MP 3648 x 2736 1/2.3" CMOS |
28-560 f/2.8-5.7 |
DIGIC 4 | 2.8" 230 000 |
||
SX10 IS | 10 MP 3648 x 2736 1/2.3" CCD |
28-560 f/2.8-5.7 |
DIGIC 4 | 2.5" 230 000 |
|||
SX110 IS | 9.0 MP 1/2.3" CCD |
36-360 f/2.8-4.3 |
DIGIC III | 3" 230 000 |
|||
SX20 IS | 2009 | 12 MP 4000 x 3000 1/2.3" CCD |
28-560 f/2.8-5.7 |
DIGIC 4 | 2.5" 230 000 |
||
SX120 IS | 10 MP 1/2.5" CCD |
36-360 f/2.8-4.3 |
DIGIC 4 | 3" 230 000 |
|||
SX200 IS | 12.1 MP 1/2.33 CCD |
28-336 f/3.4-5.3 |
DIGIC 4 | 3" 230 000 |
|||
SX210 IS | 2010 | 14.1 1/2.3" CCD |
28-392 f/3.1-5.9 |
DIGIC 4 | 3" 230 000 |
||
SX30 IS | 14.1 MP 4320 x 3240 1/2.3" CCD |
24-840 f/2.7-5.8 |
DIGIC 4 | 2.7" 230 000 |
|||
SX130 IS | 12.1 MP |
28-336 f/3.4-5.6 |
DIGIC 4 | 3" 230 000 |
|||
SX230 HS | 2011 | 12.1 MP |
28-392 f/3.1-5.9 |
DIGIC 4 | 3" 461 000 |
||
SX150 IS | 14.1 MP |
28-336 f/3.4-5.6 |
DIGIC 4 | 3" 230 000 |
SD | ||
SX40 HS | 12.1 MP 4000 x 3000 1/2.3" CMOS |
24-840 f/2.7-5.8 |
DIGIC 5 | 2.7" 230 000 |
|||
SX50 HS | 2012 | 12.1 MP 4000 x 3000 1/2.3" CMOS |
24-1200 f/3.4-6.5 |
DIGIC 5 | 2.8" 461 000 |
||
SX260 HS | 12.1 MP | 25-500 f/3.5-6.8 |
DIGIC 5 | 3" 461 000 |
|||
SX240 HS | 12.1 MP | 25-500 f/3.5-6.8 |
DIGIC 5 | 3" 461 000 |
|||
SX500 IS | 16 MP | 24-720 |
DIGIC 4 | 3" 461 000 |
|||
SX160 IS | 16 MP | 28-448 | DIGIC 4 | 3" 230 000 |
|||
SX280 HS | 2013 | 12.1 MP | 25-500 f/3.5-6.8 |
DIGIC 6 | 3" 461 000 |
||
SX510 HS | 12.1 MP | 24-720 f/3.4-5.8 |
DIGIC 4 | ||||
SX170 IS | 16 MP | 28-448 f/3.5-5.9 |
DIGIC 4 | ||||
SX60 HS | 2014 | 16.1 MP 4608 x 3456 1/2.3" CMOS |
21-1365 f/3.4-6.5 |
DIGIC 6 | 3.0" 922 000 |
||
SX700 HS | 16.1 MP |
25-750 f/3.2-6.9 |
DIGIC 6 | ||||
SX600 HS | 16 MP | 25-450 f/3.8-6.9 |
DIGIC 4+ | ||||
SX410 IS | 2015 | 20 MP | 24-960 f/3.5-6.3 |
DIGIC 4+ | |||
SX420 IS | 2016 | 20 MP CCD |
24-1008 f/3.5-6.6 |
DIGIC 4+ | |||
SX720 HS | 20.3 MP CMOS |
24-960 f/3.3-6.9 |
DIGIC 6 | ||||
SX620 HS | 20.2 MP CMOS |
25-625 f/3.2-6.6 |
DIGIC 6 | ||||
SX430 IS | 2017 | 20 MP CCD |
24-1080 f/3.5-6.8 |
DIGIC 4+ | |||
SX730 HS | 20.3 MP |
24-960 f/3.3-6.9 |
DIGIC 6 | ||||
SX740 HS | 2018 | 20.3 MP 1/2.3" CMOS |
24-960 f/3.3-6.9 |
DIGIC 8 | 3.0" 920 000 |
||
SX70 HS | 20.3 MP 5184 x 3888 1/2.3" CMOS |
21-1365 f/3.4-6.5 |
DIGIC 8 | 3.0" 922 000 |
__________
The Canon Powershot S1 IS has rounder shapes than most of its contemporaries. It is two-tone silver-gray. It has the shape of a small SLR.
It has a large amplitude, stabilized zoom equipped with USM motorization, which is very fast. The zoom, very quiet, remains usable in video mode.
The shortest focal length is not short enough, but an accessory converter allows it to go down to 26.6 mm. Another raises the longest focal length to 608 mm. The quality of this lens is correct, and the presence of stabilization avoids having to increase sensitivity or speed, which is a good thing.
The video mode allows for filming sequences with no other time limit than the volume of data to be recorded.
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